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Argumento 155
Argumentoʼs graphic evolution
Argumento 154: cover
Sketches for the front cover
Argumento 154: contributors, contents, editorial, imprint
Argumento 154: Bilhete-Postal (Postcard), What's Up, CCV?
Argumento 154: Na Retina (On the Retina)
Argumento 154: Cine-Kosmos
Argumento 154: essay
Argumento 154: Subsolo
Argumento 154: Subsolo, Observatório
Printing...
Argumento 155: cover
Argumento 155: contributors, contents, editorial, imprint
Argumento 155: Na Retina (On the Retina)
Argumento 155: Bilhete-Postal (Postcard), What's Up, CCV?
Argumento 155: Cine-Kosmos
Argumento 155: essay
Argumento 155: Subsolo
Argumento 156: cover
Argumento 156: contributors, contents, editorial, imprint
Argumento 156: Bilhete-Postal (Postcard), What's Up, CCV?
Argumento 156: Na Retina (On the Retina)
Argumento 156: Cine-Kosmos
Argumento 156: essay
Argumento 156: Observatório
Argumento 157: sketches for USA issue cover
Argumento 157: cover
Argumento 157: Bilhete-Postal (Postcard), What's Up, CCV?
Argumento 157: Na Retina (On The Retina)
Argumento 157: Cine-Kosmos
Argumento 157: essay
Argumento 154-157
2017-18
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Argumento 154-157

Cine Clube de Viseu
2017-18

Quarterly magazine
22,3x31,4cm
24 pages, saddle-staped
Offset printing on recyled paper
300 copies

          Argumento (Script) is a publication edited by the Cine Clube de Viseu regularly since 1984. Created with the aim of promoting activities and fostering debate around cinema, pedagogy and artistic creation, it became, especially from the 2010s onwards, a reference editorial space: from a membersʼ bulletin it turned into one of the only/last printed Cinema magazines. Over the years, it has published essays, interviews, critical texts and original artistic works, featuring contributions from authors such as Edgar Pêra, Anabela Moutinho, Manuel S. Fonseca, João Mário Grilo, Maria João Madeira, Fausto Cruchinho, Carlos Losilla, Luís Nogueira, Rita Palma, among others. In partnership with international publications — such as Transit – Cine y Otros Desvíos — it has also ensured the publication of texts previously unpublished in Portugal.

          From 2017 onwards, the year I began my professional — but also affectionate and activist — relationship with the Cine Clube, the graphic design of Argumento passed into my hands. I redesigned it, keeping only its title lettering, since the association did not wish to change its registration with the Media Regulatory Authority. As part of the redefinition of the Cine Clubeʼs graphic identity that I have been establishing object by object, Argumento also came to be read through the double combination of Times + monospaced Arial. The format and printing scheme remained unchanged (cover, inside cover, pages 2 and 23 in colour; text block in greyscale) and my approach, strongly inspired by the graphic design of the early decades — as well as by the processes of its graphic execution — attempts to recover, with pride in its fanzine‑style amateurism, the typographic verve of the 1980s‑90s.

Ilustração por Nikita Kaun.

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