
Patana
Explorations for an identity
Musical project by Marco Cunha
● This is the story of a project... that failed? In 2021, amid the hardships of successive mandatory lockdowns — which by then were nothing new — and some brutally difficult biographical events, I produced a curious piece of graphic exploration that I enjoy presenting. The musician Patana, author and producer of songs in a very personal R&B vein, was at that time looking for a visual line to accompany the release of his first closed song, «Rosa Flor». After having worked with another designer, with results below expectations, someone passed on my contact. I accepted, and for several weeks I only worked on it during breaks, with no guiding lines, opening new paths with each attempt. Now, any aspiring designer is taught from day one about the danger of this kind of practice: presenting many options to a client — as if it were a template customisation service or a very slow AI image generator... but this catalogue is what I delivered. The next step, given the clientʼs enthusiasm, would have been to find a synthesis among several proposals which, due to my inability and sudden unavailability, never saw the light of day. Fortunately, he found the best answer with the next contact he made.
● For this exploration, we often worked with images provided by the client (photographs of a bust, among fabrics) and my own personal archive of collected materials. It was also an opportunity to experiment (sample) some experimental typographic projects from the Cooperative (mine and Pedrokasʼs).

Proposal catalogue cover
1. Calligraphy















2. Torn-paper









3. Cut-outs




4. Blackletter + pixel
Blackletter, or Gothic calligraphy, is the name commonly given to a style of letterform used in Western Europe from roughly 1150 until the 17th century. It continued to be used frequently in Denmark, and in Germany, Estonia and Latvia until the 1940s.




5. Blackletter + Agrandir
Agrandir is a typeface by Pangram Pangram foundry.






6. Klute + grotesk
Klute: https://www.myfonts.com/fonts/alias/klute/. Grotesk is the most popular subclass of sans‑serif typefaces. In these logos, I am referring to the letter ‘a’.


7. Diplomática
Diplomática was the name I gave to a decorative/experimental typeface I developed during my Graphic Design course in 2015, from which I created these "metalhead" letterings.



8. Embala
Embala is my brother Pedro's response to the same brief that gave rise to my "Diplomática", six years later. He gave me total freedom to use these letters in my work.


9. FFF de Fábrika
FFF de Fábrika is an experimental typography exercise — letters built from fragments of various scans, mostly small mechanical parts like nuts and washers. It is also by Pedrokas. We use each other's graphics a lot.





10. Geometric calligraphy







